The first quadraphonic #netlabel release ever?Thomas L. Raukamp#ccmusic

“The future of releasing music might be like this release.”(FdW) Vital Weekly

“An interesting form of electroacoustic music, with a stronger emphasis on plasticity than on aural cinematography….…The quadraphonic spatialization is bright, active, and immersive, so much that you could turn your back on your front speakers without harming the music”Francois CoutureMonsieur Délire

“…The five tracks that make up this half hour long album are mostly dense, heavily layered collages of sound, some human voice, treated heavily in some places, less so in others, alongside a mix of recorded clatter and digitally processed detritus. There is a very strong sense of the cinematic here. I suspect that listening to this music on a 4:1 system could be a great experience, as the sounds fly in and out fast with a tremendous feel of spatial awareness. The music itself is mostly based around small pockets of drama, voices laid over one another, tinny chimes, a spot of birdsong, a ‘plane passing close by overhead, all very nervous and chattery, things moving quickly, sudden slams of sound ending one passage and opening another, scurries of computerised scribble charging off at odd tangents.While the concrete feeling is strong, (The voices remind me occasionally of Lionel Marchetti’s 1992 gem Mue) the work of Helena Gough springs to mind as a stylistic companion, massed details carefully placed on top of each other so as to allow the music to really bombard the senses…”Richard PinelliThe Watchfull Ear

2l2code proposes to revise the condition of the human voice in the scope of new technologies as a metaphor that refers by extension to the concept of musical composition and improvisation. The concept of instrument and performer, the concept of work and author and even the very concept of the individual.Merran Laginestra : voice & electronicsPedro Lopez : electronics