mp3.houserock » Electronic » Эдуард Артемьев - Andrey Tarkovsky Vol. 4. Zerkalo/Stalker

Эдуард Артемьев - Andrey Tarkovsky Vol. 4. Zerkalo/Stalker

Musician: Эдуард Артемьев
Album title: Andrey Tarkovsky Vol. 4. Zerkalo/Stalker
Style: Soundtrack, Score
Released: 1995
Country: Japan
Size MP3 version: 1668 mb
Size APE version: 1550 mb
Size WMA version: 1214 mb
Rating ✫: 4.9
Votes: 538
Format: VOX ADX AUD MPC ASF VQF AIFF
Genre: Electronic / Classical / Stage

Эдуард Артемьев - Andrey Tarkovsky Vol. 4. Zerkalo/Stalker mp3 album

Эдуард Артемьев Soundtrack Score 1995 Japan

Tracklist

Zerkalo
Untitled	2:01
Untitled	1:14
Untitled	0:56
Untitled	1:05
Untitled	0:48
Untitled	2:00
Untitled	0:19
Untitled	2:27
Untitled	1:13
Untitled	0:58
Untitled	2:11
Untitled	1:59
Untitled	0:46
Untitled	4:08
Stalker
Untitled	3:29
Untitled	2:08
Untitled	2:01
Untitled	2:29
Untitled	3:38
Untitled	1:03
Untitled	1:49

Versions

Category	Artist	Title (Format)	Label	Category	Country	Year
TMP-2004	Эдуард Артемьев	Andrey Tarkovsky Vol. 4. Zerkalo/Stalker ‎(CD)	Toei Music Publishing Co., Ltd.	TMP-2004	Japan	1995
MIR300114	Edward Artemiev*	The Mirror / Stalker ‎(LP, Ltd, Num)	Мирумир	MIR300114	Russia	2013
SV019	Eduard Artemiev*	The Mirror / Stalker ‎(LP, Gat)	Superior Viaduct	SV019	US	2014

Thomand

Hi - Have you checked the Japanese CD against the Superior Viaduct vinyl? Thanks.

Moogura

To the best of my knowledge, this is the only CD release containing the actual Stalker soundtrack as heard in the film (and not a rather mediocre re-recorded re-visitation of it as often presented in other editions like this one https://www.discogs.com/Edward-Artemyev-SolarisMirror-Stalker/master/84406). This CD contains some of the most haunting, original and archetypical music ever composed. Rare and expensive it is, but well worths your money, believe me.

Jairani

Why did you get that he is owed by be clear ????

Fordregelv

Vey rare release. The art of Artemiev is superb, ahead of his time as well as the perfect complemet to Tarkovsky's delirant view. Vey tense and heavy proto-industrial manipulation: drone-like noise waves and field recordings manipulated the same way Tarkovsky used to manupulate his photograms. A composer to rescue.