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Excerpts From Book Number One
A1	God Is Love
A2	God Is Love
A3	Jesus Is Mine
A4	Sweet Hour Of Prayer
A5	Silent Night
A6	My Faith Looks Up To Thee
A7	I Feel Like Traveling On
A8	Wonderful Savior
Excerpts From Book Number Two
A9	Major And Seventh Chords
A10	Cal'vry
A11	Minor Chords
A12	Keep On Holding To The Nail Scarred Hands
A13	Augmented Chords
A14	Cleanse Me
A15	His Call
Excerpts From Book Number Three - Examples Of Strict 4/4 Time
A16	Oh, What A Savior
A17	Just A Closer Walk With Thee
The Remainder Of The Examples From Book Three Are Recorded To Illustrate How You Should Be Playing At Various Points:
A18	Jesus Is Calling
A19	There Is A Fountain
A20	Revive Us Again
A21	We Have An Anchor
A22	Onward Christian Soldiers
Excerpts From Book Number Four
B1	Full Chords In The Right Hand
B2	Our Loving Unchangeable God
B3	He Leadth Me
B4	Wonderful Words Of Life
B5	Oh, To Be Like Thee
B6	My Prayer
Excerpts From Book Number Five
B7	Left Hand Styling
B8	Left Hand Styling
B9	Going Home
B10	Oh, How I Love Him
B11	Yield Not To Temptation
B12	This World Id Not My Final Home
B13	'Chording' In 4/4 Time
B14	Rhythm Patterns For Accompaniment
Excerpts From Book Number Six
B15	Run Patterns In The Key Of C
B16	When I See The Blood
B17	Jesus Knows
B18	His Touch
B19	Home Sweet Home
B20	Just A Closer Walk With Thee
B21	What A Precious Friend Is He
B22	Yield Not To Temptation
B23	What A Friend We Have In Jesus Arranged By, Soloist, Piano – Henry Slaughter

Notes

Printed in U.S.A.

Harvest Time Publishers
P.O. Box 8073, Nashville, Tennessee 37207

A1 - Page 5.
A2 - Page 6. For Beginners Or Small Hands
A3 - Page 9. Playing Quarter Notes
A4 - Page 11.
A5 - Page 13. The 'The Dotted Quarter And Eighth Note' Combination
A6 - Page 19. Playing 4/4 Time
A7 - Page 23. Playing Eighth Notes
A8 - Page 24. Assorted Rhythm Patterns
A9 - Page 6. Study The Instructions On Forming The Seventh Chord (Page 7) And Then Play All Of The Chords On Page 6 As Illustrated
A10 - Page 22.
A11 - Page 23. Study And Practice As Illustrated
A12 - Page 26. Containing Major And Minor Chords
A13 - Page 30. Study And Practice As Illustrated
A14 - Page 32. "Containing Major, Minor, And Augmented Chords "
A15 - Page 37. "Study The Diminished Chord Structure On Page 33, And Then Listen To Their Usage In This Song "
A16 - Page 6.
A17 - Page 7.
A18 - Page 18. (Verse)
A19 - Page 20. (Two Scores)
A20 - Page 25.
A21 - Page 34. (Chorus)
A22 - Page 47. (Verse)
B1 - Page 5. "Example Is Given As To How To Practice Pages 5, 6, 7, 8, And 9 "
B2 - Page 10. (Verse)
B3 - Page 30.
B4 - Page 37. 6/8 Time Played As If 2/4
B5 - Page 39. 9/8 Time Played As If 3/4
B6 - Page 40. 12/8 Time Played As If 4/4
B7 - Page 5. "3/4 Time, Rolled Tenth And Chord Inversins "
B8 - Page 11. "4/4 Time, Rolled Tenth And Alternate Fifth After You Incorporate
B9 - Page 19. Combining All We Have Learned Thus Far In The Course
B10 - Page 26.
B11 - Page 39. Illustrating Broken Chord Patterns From Page 38
B12 - Page 41. Illustrating Broken Chords In 4/4 Time
B13 - Page 44.
B14 - Page 48.
B15 - Page 7. Practice Runs Through Page 18
B16 - Page 8. Illustrating An Assortment Of Evangelistic Runs
B17 - Page 21. Assorted Runs
B18 - Page 26. Broken Chord Style
B19 - Page 30. Country Gospel Style
B20 - Page 36. Pop Gospel Style
B21 - Page 39. Broken Chords In Sixteenth Notes
B22 - Page 42. The Spiritual Beat Style
B23 - Page 46. Arranged And Played By Henry Slaughter

Barcode and Other Identifiers

• Matrix / Runout (A Side Center Label): HS-S1
• Matrix / Runout (B Side Center Label): HS-S2
• Matrix / Runout (A Side Runout Etched): HS-SIDE I-X DBM BA
• Matrix / Runout (B Side Runout Etched): HS-SIDE II-X DBM BA