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Frank Zappa - Does Humor Belong In Music? mp3 album

Frank Zappa - Does Humor Belong In Music?

Musician: Frank Zappa
Album title: Does Humor Belong In Music?
Style: Jazz-Rock, Avantgarde, Prog Rock
Released: 1986
Country: Europe
Size MP3 version: 1636 mb
Size APE version: 1114 mb
Size WMA version: 1460 mb
Rating ✫: 4.9
Votes: 711
Format: MIDI ASF ADX MOD FLAC AU MP4
Genre: Jazz / Rock

Frank Zappa - Does Humor Belong In Music? mp3 album

Frank Zappa - Does Humor Belong In Music? mp3 album

Tracklist Hide Credits

1 Zoot Allures 5:27
2 Tinsel-Town Rebellion 4:42
3 Trouble Every Day 5:31
4 Penguin In Bondage 6:50
5 Hot-Plate Heaven At The Green Hotel 6:36
6 What's New In Baltimore 4:47
7 Cock-Suckers' Ball
Arranged By – Zappa*Written-By – Traditional
1:05
8 WPLJ
Written-By – Dobard*
1:30
9 Let's Move To Cleveland
Soloist [Drums] – Chad WackermanSoloist [Keyboards] – Alan Zavod*
15:44
10 Whippin' Post
Written-By – Allman*
8:27

Companies, etc.

  • Phonographic Copyright (p) – Pumpko Industries Ltd.
  • Copyright (c) – Pumpko Industries Ltd.
  • Record Company – EMI Records Ltd.
  • Remixed At – UMRK
  • Published By – Munchkin Music
  • Published By – Frank Zappa Music
  • Published By – Dobard Music
  • Published By – No Exit Music
  • Recorded At – Hammersmith Odeon
  • Recorded At – Civic Center, Providence
  • Recorded At – Amherst College
  • Recorded At – Tower Theater
  • Recorded At – Bismark Theater
  • Recorded At – The Bay Front Arena
  • Recorded At – Paramount Theatre, Seattle
  • Recorded At – Queen Elizabeth Theatre
  • Recorded At – Universal Amphitheatre
  • Pressed By – Sonopress – B-6064

Credits

  • Arranged By, Written-By – Frank Zappa
  • Bass – Scott Thunes
  • Drums – Chad Wackerman
  • Engineer [Recording] – Mark Pinske, Thom Ehle
  • Engineer [Remix] – Bob Stone
  • Guitar, Soloist – Dweezil Zappa (tracks: 10)
  • Keyboards – Alan Zavod*
  • Keyboards, Saxophone, Vocals – Bobby Martin
  • Lead Guitar, Vocals – Frank Zappa
  • Producer – Frank Zappa
  • Rhythm Guitar, Vocals – Ike Willis, Ray White

Notes

Remote recording facility: UMRK Mobile
Remix @ UMRK

This material is 100% digital, 100% live, with NO over-dubs

These songs were selected from the repertoire of the 1984 World Tour. Over a six month period, many hours of exciting live material was recorded in a 24 track digital format. It took another six months to remix it onto PCM 1610 digital 2 track masters. If you enjoy this recording, be advised that there is a lot more lurking in the vault. These tunes were selected because they follow the basic outline of the "DOES HUMOR BELONG IN MUSIC?" PMI/ICA video tape, as well as presenting some new, unreleased material. The recording dates were:

The Odeon Hammersmith, London, England, 8/10/84
The Civic Center, Providence, Rhode Island, 26/10/84
Amherst College, Lowell, Massachusetts, 28/10/84
The Tower Theater, Philadelphia, Pennsylvania, 10/11/84
The Bismark Theater, Chicago, Illinois, 23/11/84
The Boy Front Arena, St. Petersburg, Florida, 1/12/84
The Paramount Theater, Seattle, Washington, 17/12/84
Queen Elizabeth Theater, Vancouver, British Columbia, 18/12/84
The Universal Amphitheater, Los Angeles, California, 23/12/84

Song Information:
ZOOT ALLURES - head is from London, solo from Providence
TINSEL-TOWN REBELLION - body of tune is from Chicago Illinois, ending is from Seattle
TROUBLE EVERY DAY - verses from St. Petersburg, solo from London
PENGUIN IN BONDAGE - vocal sections from Vancouver and St. Petersburg, solo from Vancouver
GREEN HOTEL - Vancouver
BALTIMORE - front of tune is from Los Angeles, vocals from Philadelphia, solo is from Los Angeles
COCK-SUCKERS' BALL - Los Angeles
WPLJ - Los Angeles
CLEVELAND - intro from Los Angeles, piano solo from St. Petersburg, drum solo from Vancouver, guitar solo from Amherst College, out chorus from Los Angeles
WHIPPIN' POST - Los Angeles (the last song of the last show of the last tour)

All selections copyrighted by Frank Zappa, published by Munchkin Music, ASCAP except
- Track 3 is Frank Zappa Music, BMI
- Track 7 is an arrangement made from an acapella bootleg recording by The Clovers with no writer or publisher credits.
- Track 8 is published by Dobard Music, BMI
- Track 10 published by No Exit, BMI.

℗ 1986 Original Sound Recordings made by Pumpko Industries Ltd.
© 1986 Pumpko Industries Ltd.

Made in West Germany

Released in a standard jewel case with 6-page fold-out inlay.
There's a aimilar release Frank Zappa - Does Humor Belong In Music? pressed by Polygram, Hanover, West Germany

Barcode and Other Identifiers

  • Barcode (Text): 0 77774 61882 3
  • Barcode (Scan): 077774618823
  • Rights Society: BIEM/GEMA
  • Label Code: LC 0542
  • Other (SPARS Code): DDD
  • Matrix / Runout: B-6064 / CDP 7461882 A
  • Rights Society: ASCAP
  • Rights Society: BMI

Other versions

Category Artist Title (Format) Label Category Country Year
HD 005 Frank Zappa Does Humor Belong In Music? ‎(LP, Album, Unofficial) EMI HD 005 Europe 1986
RCD 10548 Frank Zappa Does Humor Belong In Music? ‎(CD, Album, RE, RM) Rykodisc RCD 10548 US 1995
RYKODISC 968009 Frank Zappa Does Humor Belong In Music? ‎(CD, Album, RE, RP) Rykodisc RYKODISC 968009 Brazil 1998
none Frank Zappa Does Humor Belong In Music? ‎(LP, Album, Unofficial, Whi) EMI none Europe 1986
JPCD 2000120 Frank Zappa Does Humor Belong In Music? ‎(CD, Unofficial) ООО "ДОРА" JPCD 2000120 Russia 2000

Jugore
If I look at the list above, I can't see any official US release before 1995. Can any specialist confirm ?
Tisicai
In the meantime you will have found out, but DHBIM was originally an Europe-Only release, afaik.