Sonically and thematically (with feedback loops falling under both these tags), this is stil among the albums I cherish most. Both David Myers and Kim Cascone have had tremendous influence on the way I perceive and make sound and music, and the relative obscurity this has landed in is entirely to the detriment of unknowing listeners: the work speaks for itself. I find this to be both an abstract and an emotional work - probably to the ridicule of connoisseurs of the purest expression of both these opposites. In other words: some will find it too obvious, where others will find it completely impenetrable (no pun intended). Extremes are expressed in the sound too, with Myer's Penetrating Black Ice being an intense journey through feedbacking drones, vocal noises and glitchy rhythm - to end with a surprise, and PGR's (Kim Cascone's) tracks bouncing between almost-silence and glacial drones. Find it, if you can.