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Robert Seidler - Dotted Line

Musician: Robert Seidler
Album title: Dotted Line
Style: New Wave, Synth-pop
Released: 1984
Size MP3 version: 1853 mb
Size APE version: 1115 mb
Size WMA version: 1424 mb
Rating ✫: 4.5
Votes: 148
Format: AC3 AUD MMF VOX DXD MP4 DTS
Genre: Electronic / Rock

Robert Seidler - Dotted Line mp3 album

Robert Seidler New Wave Synth-pop 1984

Tracklist

A1	Tatum Bird	2:50
A2	Uncle Wiggley	3:30
A3	Christian Boy	4:00
B1	Dotted Line	3:56
B2	This Time	4:10

Credits

Artwork By [Cover Design] – Pamela Smith
Bass, Arranged By – Jim Clausen
Drums, Arranged By – Kevin Powell
Guitar, Arranged By – Douglas Van Blaricom
Keyboards, Arranged By – Vladimir Malinovsky
Photography [Cover] – Fredrica Drotos
Producer – Robert David
Written-By, Arranged By, Vocals – Robert Seidler

Notes

Recorded at Isolation Studios, San Francisco, CA

Design Director, Mitchell Anthony
Hair by Falletti
Special thanks to Anna Mae, Dawn and Jill

Robert Seidler management, Timothy Seidler & Frank Andrick
834-5914

Barcode and Other Identifiers

Matrix / Runout (Side 1: Hand-etched): MA 001 A
Matrix / Runout (Side 1: Machine-stamped): STERLING
Matrix / Runout (Side 2: Hand-etched): MA 001 B
Matrix / Runout (Side 2: Machine-stamped): STERLING

Justie

Great EP from Seidler. Too bad he never really did anything else. Christian Boy is obviously the big hit at least here in the SF bay area. I remember hearing this song on the old AM pop radio station KFRC in the early mornings before I went to walk to school.Not a bad track amongst the lot. Uncle Wiggley is probably the second best track. He was way better than Huey Lewis or even Greg Kihn from that era in the bay area but quality doesn't guarantee longevity.

FireWater

Robert Seidler was/is a bay area (San Jose area?) musician/singer whose song "Christian Boy" was regularly played on KITS/"Live 105" fm (and perhaps on South Bay radio stations, too) in the mid-1980s. Not aware if this record penetrated radio markets outside California, though. Seidler's vocal style was very '80s, in that his crooning delivery echoed that of David Bowie and the rest of the New Romantic front men, singers with a European sense of melody.