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Minus 8 - Elysian Fields mp3 album

Minus 8 - Elysian Fields

Musician: Minus 8
Album title: Elysian Fields
Style: Breaks, Acid Jazz, Downtempo
Released: 2000
Country: Germany
Size MP3 version: 1704 mb
Size APE version: 1130 mb
Size WMA version: 1792 mb
Rating ✫: 4.8
Votes: 176
Format: ASF AUD DMF TTA DXD ADX VOC
Genre: Electronic

Minus 8 - Elysian Fields mp3 album

Minus 8 - Elysian Fields mp3 album

Tracklist

Elysian Fields 4:33
Neverland 5:26
Circles Blurring 4:51
Breathe 4:49
Driven 4:23
Mondo Boppp 5:34
Sarug & Terah 4:21
Starstruck 5:17
Snowblind 6:17
Beyond Material 5:22
Cold Fusion 4:21
Nonhuman 1:19
Badman & Throbin' 4:57
Sellafield 3:44

Versions

Category Artist Title (Format) Label Category Country Year
COMPOST 078-2 Minus 8 Elysian Fields ‎(CD) Compost Records COMPOST 078-2 Germany 2000
COMPOST 078-1 Minus 8 Elysian Fields ‎(2xLP, Album) Compost Records COMPOST 078-1 Germany 2000
COMPOST 078-1 Minus 8 Elysian Fields ‎(2xLP, Album, Promo, W/Lbl, Sti) Compost Records COMPOST 078-1 Germany 2000
JAB23/092743872, JABOO 23, 0927-4387-2 Minus 8 Elysian Fields ‎(CD, Album) Jaboo Records, Jaboo Records, Warner Music Switzerland JAB23/092743872, JABOO 23, 0927-4387-2 Switzerland 2000
Jab23, Jaboo 23-2, 5220232 Minus 8 Elysian Fields ‎(CD, Album) Jaboo Records, Jaboo Records, Warner Music (Switzerland) Jab23, Jaboo 23-2, 5220232 Switzerland 2000
Compost 078-2, Comppost 078-2 Minus 8 Elysian Fields ‎(CD, Unofficial) Compost Records , Compost Records Compost 078-2, Comppost 078-2 Europe 2000



Kriau
ELYSIAN FIELDS sees Minus 8 leaving behind drum ‘n’ bass for more lounge, future jazz downtempo-style tracks. The smoothness is evident immediately: “Neverland” weaves in some acoustic guitar some Spanish rhythms and a lonesome flute, while “Cold Fusion” kicks back with some sultry vocals. But even though the musical competency is beyond reproach, the album seems to lack a bite, something that really grabs hold of you and shakes you. The two more house-oriented track, however, are an exception: “Snowblind” peppers a scat-like vocal over some funky breaks, while “Badman & Throbin’” makes no bones about its need to get you grooving (and you’ve got to love that “fake ending”). The closing track, “Sellafield,” tosses in clean guitar line that contrasts the various noises surrounding it. While a good album overall, I would have like a little more meat here.