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Salvatore Martirano - L's GA - Ballad - Octet mp3 album

Salvatore Martirano - L's GA - Ballad - Octet

Musician: Salvatore Martirano
Album title: L's GA - Ballad - Octet
Style: Musique Concrète, Contemporary, Experimental
Released: 1968
Country: US
Size MP3 version: 1282 mb
Size APE version: 1476 mb
Size WMA version: 1854 mb
Rating ✫: 4.6
Votes: 614
Format: ADX APE ADX ASF AAC DMF MP4
Genre: Electronic / Classical

Salvatore Martirano - L's GA - Ballad - Octet mp3 album

Salvatore Martirano - L's GA - Ballad - Octet mp3 album

Tracklist Hide Credits

A L's GA For Gassed-Masked Politico, Helium Bomb, And Two-Channel Tape
Voice [Speaker] – Michael Holloway
24:20
B1 Ballad
Bass – Thomas FredricksonFlute – Thomas HowellPercussion – Charles Braugham, Rick KvistadTenor Saxophone – Ronald DewarTrombone – Morgan PowellViola – John GarveyVocals [Singer] – Donald Smith
11:20
B2 Octet
Bass – Thomas FredricksonBass Clarinet – Ronald DewarCelesta – Arthur MaddoxCello – Lee DucklesConductor – Salvatore MartiranoContra-Alto Clarinet – Howard Smith Flute – Thomas HowellMarimba – Rick KvistadViolin – Dorothy Martirano
7:01

Companies, etc.

  • Published By – MCA Music

Credits

  • Composed By – Salvatore Martirano
  • Design [Cover Design] – Nick Fasciano
  • Engineer – George Ritscher
  • Liner Notes [Program Notes] – Edwin London
  • Photography By – Ronald Nameth

Notes

A Dolby-system recording.

Other versions

Category Artist Title (Format) Label Category Country Year
006 Salvatore Martirano L's GA - Ballad - Octet ‎(CDr, Unofficial) Creel Pone 006 US 2005
543.116 Salvatore Martirano L's GA - Ballad - Octet ‎(LP, RE) Polydor 543.116 Canada Unknown
24-5001 Salvatore Martirano L's GA - Ballad - Octet ‎(LP, Album, Promo) Polydor 24-5001 US 1968
24-5001 Salvatore Martirano L's GA - Ballad - Octet ‎(LP, Promo, Gat) Polydor 24-5001 US 1968



Roram
An often overlooked landmark of musique concrete, the title piece, L's GA, encapsulates a blatant disregard for political posturing and farce that continues to this day. As though balanced on a knife edge, the powerful pressure of this composition challenges the listener with its horrific spectrum of pathos and taunting, and I've witnessed more than one individual react with outrage and anger. It is doubtful that anyone will ever create something as reactionary and powerful as this audio assemblage.