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Insub Meta Orchestra - Archive#3 mp3 album

Insub Meta Orchestra - Archive#3

Musician: Insub Meta Orchestra
Album title: Archive#3
Style: Minimal, Experimental, Free Improvisation
Released: 2015
Size MP3 version: 1472 mb
Size APE version: 1489 mb
Size WMA version: 1991 mb
Rating ✫: 4.4
Votes: 624
Format: VOC VOX MPC DMF ADX MP2 MOD
Genre: Electronic / Jazz

Insub Meta Orchestra - Archive#3 mp3 album

Insub Meta Orchestra - Archive#3 mp3 album

Tracklist

1 4GS 7:34
2 SLC 15:21
3 UNS 15:45
4 MNC 49:32

Companies, etc.

  • Recorded At – Studio Ernest Ansermet, RSR

Credits

  • Acoustic Guitar – Daniel Tyrrel, Simon Bolay
  • Alto Saxophone – Bertrand Gauguet, Christophe Berthet
  • Artwork – D'incise
  • Bass Clarinet – Christian Müller
  • Double Bass – Regula Gerber
  • Electric Guitar – Vinz Vonlanthen*
  • Electronics – Bruno Crochet, Coralie Lonfat, Eric Ruffing , Lea Danzeisen, Thierry Simonot, Thomas Peter
  • Flute – Teresa Hackel
  • Harmonium – Jacques Demierre
  • Leader – Cyril Bondi, D'incise
  • Mixed By – D'incise
  • Percussion – Béatrice Graf, Cyril Bondi, D'incise, Filippo Provenzale, Luc Müller, Rodolphe Loubatiere
  • Recorded By – Antoine Petroff
  • Saw – Dorothea Schürch
  • Spinet – Christoph Schiller
  • Tenor Saxophone – Gregor Vidic, Sébastien Branche
  • Violin – Jamasp Jhabvala, Patricia Bosshard
  • Voice – Antoine Läng, Heike Fiedler

Notes

The INSUB META ORCHESTRA present here its third « Archive », recorded in the amazing acoustic of the Swiss Radio studio in Genva during the summer 2014. Four pieces, two relatively short and one very long, each of them placing the accent on a particlular and reduced aspect, silences, uniformity, durations, unisson and contrast. This « Archive#3″ sees also the return of the orchestra to structured pieces after a couple of years focused on improvisation. 29 musicians, with a large variety of instruements, winds, strings, electronics, percussions, an harmonium, and a good amount of uncategorized objects, build delicat textures, appearing and returning to the silence, force the listening to extreme zones, with a radical position on durations and minimal variations.

INSUB.records
N°3 / February 2015