Additional non-audible Times New Roman + Swayzak logo cuts/tracks as A2 and B2 on both sides. Some noise at the beginnings of both tracks detetected from two copies that I heared, maybe caused by fancy cut?

Yet another cracker by Swayzak. My pick of the two is probably Doobie, with its minimal rolling sounds gradually building and growing as each new element of the track is introduced. Finally, a dirty analogue bass appears that keeps growing until it sounds like its about to rip through your speaker cones and send you down to your local audio dealer begging for the biggest set of subs they have. Loud and bass up high is definatly the best way to appreciate this one.

Agreed. Doobie was the reason I bought this record and it was a secret weapon (still is!) for a while. From the robotic "Doobieee" vocal to the seething, growing synth line, there's nothing I dislike about the tune.